Showing posts with label ancient Britain. Show all posts
Showing posts with label ancient Britain. Show all posts

Thursday, December 19, 2013

Io, Saturnalia! - plus a new excerpt from 'Flavia's Secret'

It may not have been Christmas exactly, but the ancient Roman Saturnalia (17th-23rd. December) was certainly an opportunity for feasting and gift-giving. Over the years, this time of merry-making, sacrifices and gift-giving expanded to a week and the poet Catullus - who knew a thing or two about parties - called it 'the best of days'.

In many ways this ancient festival was rather like Christmas:

Schools were on holiday.

Gambling was allowed.

Shopping at special markets was encouraged.

Holiday clothes were worn - the informal, colourful 'dining clothes' instead of the plain, bulky toga.

Presents were given - parrots, wax candles, dice, combs, perfumes, little pottery dolls.

Feasting was indulged, with Saturn himself in charge as Lord of Misrule.

People wished each other a merry Saturnalia with the evocation, 'io Saturnalia!' ('Yo Saturnalia!')

My ancient Roman historical romance Flavia's Secret has its climax and ending during the Saturnalia.

The Pompeiian partygoers in the picture come from the BBC's Ancient Rome pages.

Here is an excerpt from Flavia's Secret. Flavia is in ancient Roman Bath, Aqaue Sulis, shopping for last-minute items needed for the Saturnalia.


EXCERPT.


Flavia was as quick as she could be but there were queues everywhere in the food shops and spice and trinket stalls as slaves and even citizens shopped for last minute items for the Saturnalia. It was the first time she had been in the city this close to the festival. In other years, Lady Valeria had given her people small gifts of pickled fish and nuts but had otherwise ignored the Saturnalia, insisting that her servants remain indoors and serve her, rather than follow the tradition that at the Saturnalia the household slaves for one day at least were waited on by their masters.

‘The Saturnalia is a rowdy, vulgar, drunken festival, little more than an orgy,’ Lady Valeria had complained. ‘I will have no part of it in my house.’

Her words may have been true, but as the morning progressed, Flavia saw little to alarm her. The people in these snowy streets were intent on their money or goods. A few roughly-dressed men were crouched over gaming tables and she passed a group of giggling young slave girls, all waving napkins given to them as presents, but there was no sign of drunkenness or of wild orgies. Many workshops were shuttered and closed and houses the same. There was a distant grumble of noise coming from the theatre, close to the great bathing complex, but no raised voices.

Unsure whether to be glad or disappointed, Flavia swapped her basket from one arm to the other and sped on through the slushy snow. She longed to stay and find some gifts for Gaius and the others - especially for Marcus, her heart whispered - but she still had not enough money of her own. With a sigh, her final purchase haggled for and bought, she turned to make her way home, avoiding the wine shops and taverns and drawing her shawl over her blonde hair each time she crossed a busy street.

She was close to the blank front entrance of the deserted villa where she had taken Marcus to see the secret garden and pool when she heard the sounds of flutes and drums approaching from a narrow, snow-filled alleyway.

‘Ow!’ She put a hand to her ear, which had just begun to sting. A small apple lay at her feet in the snow and as she stared at it, she realized  that it must have been thrown down at her from the upper living quarters over one of the shuttered shops.

‘To Saturnalia!’ roared a good-natured male voice overhead. More small apples and nuts and then a cluster of sweetmeats rained down on Flavia and others in the street. People scrambled on hands and knees to pick up the fruit and other foods, while the racket of the flutes and drums drew nearer.

A prickle of alarm, cold as an icicle, shot down the length of Flavia’s back. Trusting her instincts, honed by years of slavery, she flattened herself into the nearest shadowy doorway, glad of her inconspicuous brown gown as she veiled her face with one end of the shawl. Scarcely breathing, she waited for this parade to go by.

They were all men. At least a score of brightly-dressed young men, several puffing cheerfully on long flutes or banging on drums and all with the rich, sleek look of Roman aristocrats and the free-born. These were revelers: quite a few clutched jugs of beer or wine which they carelessly drank from. Flavia prayed they would not notice her.

The last stragglers swayed past her hiding place. One, stumbling in the snow with heavy deliberateness, dropped to his knees close to where she was. He did not see her, but his two friends, slithering over the slush and ice to haul him up, spotted the small, wary figure in the shadows and shouted.

 ‘Hey, girl, join us!’

‘Let me give you something,’ the second leered, making a crude gesture with his hand.

Flavia darted away before the two men trapped her in the doorway.

‘Hey, come back!’

‘Party time!’

‘We have the wine and you are the orgy!’

Backing along the street, Flavia heard an ominous silence descend among the flute players and drummers. Walking as rapidly as she could in a clumsy, sideways fashion, she did not speak, or run. She did not want to provoke them.

Under her fear, her mind was still working. If she could only reach the crossroads, she would take the short-cut down the street of the fullers and make for the shrine of the goddess Sulis at the Roman baths. She was Christian but these men were pagans. Surely they would respect their own sacred place? Surely the goddess would protect her?

None of the other bystanders or shoppers raised a word against the rich, spoilt Romans. Flavia knew she was alone and would have to deal with them herself. She thought of Marcus, going into battle, facing down his enemies. He had not turned and run, and she would not.

One step after another, she edged along the twisting, foul-smelling street of the fullers, who today at least were not laboring over their vats of washing.

‘Hey, she is leaving us!’

‘Going away, the stuck-up -’

Flavia closed her ears and tightened her grip on her basket. She could see the flute players and drummers returning to join their more drunk companions, see them pointing at her, muttering among themselves.
But I am going to make it, she thought desperately, just as the hue and cry began:

‘Get her!’

‘Run her down!’

‘We need no toga girls if we grab her!’

‘Why pay for pleasure when we can have it for free?’

‘Get her!’

Flavia was already running, pelting along the street as if there was no snow underfoot, losing things out of her basket and not caring what they were. Panting, her vision beginning to double as she sprinted at the very limit of her speed, she fixed on the temple of the goddess Sulis and fled her leaden-footed, cursing pursers.

‘Come here, you -’

Behind her, a coarse hand grabbed at her shawl. She tore it away, escaping again, and passed bare-headed into the temple precinct of the shrine and bathing complex where she collapsed, sobbing but safe, against one of the many smoking altars.

Flavia's Secret - an ebook, print and audo book. 



Happy Saturnalia!


Tuesday, February 7, 2012

Fancy a sensual Roman Romance for Valentine's? Only 99c!

My sensual historical romance, 'Flavia's Secret' is only 99c from Bookstrand - and is offered there at an 83% discount until Feb 14th. Set against the backdrop of the ancient Roman Empire, it could be your perfect Valentine's Day read!

To tempt you, here's a new excerpt from my sensual historical romance, 'Flavia's Secret', which takes place in ancient Roman Britain. Flavia and Marcus are at a special, secret bathing place in Aquae Sulis (Ancient Roman Bath) ...

Excerpt.

‘Marcus, our clothes,’ she said, in almost a whisper, as he touched her waist and then her breast through the clinging wet linen.

‘We will change at home. Tell Hadrian and the others we were caught in a local storm.’ Marcus was already caught. More than the finest painting he had ever seen or hoped to produce, more than the most evocative of scents or music, Flavia stirred him, but at present it was his own earthier desire that was the problem. If she touched him at all, he wasn’t sure if he would be able to hold back.

‘Is this a dream?’ she murmured, capturing his mood exactly as she rested her head against his shoulder, giving in a moment to temptation, Marcus guessed. ‘Dreams can be dangerous.’

‘Not this one,’ Marcus reassured. He was determined it wouldn’t be. She was locked in his arms, standing with him in the middle of this amazing pool, with the steam from the waters releasing the perfume of the enclosing rosemary and lavender bushes. Their own private, secret bathing place.

‘I have wanted to do this for so long,’ he said, drawing off her belt, feeling her gown billowing around his legs.

‘Did you bathe Drusilla?’

Her face was burrowed against his chest, so Marcus couldn’t see her expression. ‘Little Aurelia used to join me in the barracks bath house in Germania,’ he answered truthfully. ‘She and the other youngsters used to play games in the baths.’

‘Did—’

‘No more talk.’ Marcus raised her chin with his thumb and kissed her, tumbling her clothes off with swift, sure hands. I have you now, little water goddess, and in your own element, he thought, his voice abandoned in the heat of the moment. She made his very skin crackle.

He wanted her to revel in every instant. The desire to honor and promote her enjoyment helped Marcus to control his own aching need as he gathered her back to himself with undisguised delight.

She had her eyes tightly closed again and he scooped water and lightly washed her face, smiling as her lips quivered and almost kissed his fingers. He sensed the conflict within her between pleasure and propriety and longed to prove to her what a sexy little creature she was, but he did not want her to feel ashamed afterwards by anything they did.

He stopped her hand as he felt her fingers on his belt. ‘Next time you can bathe me,’ he said, with a lightness he did not feel. He found her caresses far too erotic. ‘That is a promise.’

Her throaty giggle almost drove him over the edge. He felt her stand on top-toe and then, using the water itself as an added support, bounce lightly off her toes to snatch a kiss as light as the beat of a moth’s wing from his mouth.

‘Flavia!’ He lowered his head and kissed her back. The provoking wench was playing with fire.

‘We have no bathing oil,’ he said, keeping to the practical. ‘But I am sure we will manage.’

It was easy to begin with her hair, which fascinated him, and hard, too, when he really wanted to share so much more with her than bathing. But they were learning each other, he sensed, and he wanted her to trust him. That mattered above everything.

He released her plait, hearing her muttered apology that she was wearing none of the combs he had bought her and responding with a hand-ruffle of her loosened hair, saying, ‘Those are probably gone with the fire, but I will buy you more.’

‘I will buy my own,’ she shot back instantly. ‘From my wages.’

‘Well said!’ Marcus grunted, teasing her in return by tickling her under her arms until Flavia was giggling and thrashing against him, water splashing everywhere.

‘Stop, stop!’ she cried, almost hiccupping with laughter.

He spun her round, the water making her virtually weightless, and tucked an arm around her waist. ‘Now for your back,’ he said.

He stroked the water over her, gently kneading the muscles on either side of her spine, hearing her breath quicken each time his hand approached her waist. Thinking about the faint sprinkling of freckles by her right shoulder blade and how taut and fine her skin was, he washed her arms. She seemed to shimmer in his arms, the rising steam wreathing her face so that she almost appeared to be wearing a veil made of mist.

Torn between passion and a strange sense of mystery, Marcus again reminded himself what he was supposed to be doing. Although he had not yet touched certain areas, he could not resist kissing the back of her freshly-bathed neck.

‘And your legs.’

With her damp head pillowed against his middle ribs, he lifted her quickly so that her feet flipped off the pool bottom. He caught her right leg and brought it closer to the surface, the warm water adding a further dimension of sensation as he ran his hand slowly over her sleek calf and thigh. He was equally scrupulous in his attention to her left leg.

‘And the rest.’

Flavia shivered as he turned her round to face him, his legs threading through hers. She felt increasingly strange in this soft, mobile, warm medium of water, and not only because she was an indifferent swimmer.

‘Marcus.’ She tried to think of the words to express concern and found she had forgotten them. She was rapidly forgetting any sense of decorum. The secret pool itself added to her confusion, the scents of its lavender and rosemary bushes perfuming the air and its steam condensing and sparkling on Marcus’ long black eyelashes, dampening the ends of his tough, dark brown hair.

‘Close your eyes a moment,’ he said.

To show her trust in him, she did so, feeling the water rise and fall in a subtle lingering embrace against her breasts. Everything here was voluptuous; she could imagine losing track of time and place.

‘You can open them now,’ Marcus said against her ear.

He was naked—his tunic, belt and loin cloth mere shadows on the bottom of the pool. ‘I will fetch them up later.’ He smiled. ‘With your own.’

‘Oh!’ Flavia had forgotten that her gown and under-tunic languished under this flood of gently swirling, gray-green water. Above the water, his upper torso glistened in the spray and sun, the harsh contours of his face softened by the rising steam.

And by love, perhaps? Flavia hoped it was love, although when she recalled her jealous question about his bathing habits with his wife she was ashamed.

She gasped afresh as he took her hand and laid it against the middle of his chest. She could feel his strongly beating heart, the pulse increasing as her fingers moved, almost of her own volition, touching his bronzed skin below and above the water. She found herself smiling at her own exploration.

He touched her in return. Gathering water and allowing it to run through his fingers, he bathed her breasts and her trim, flat stomach. The water trickled between her breasts like the gentlest and warmest of rain-showers as his hand followed, defining every curve.

‘Marcus!’ She felt to be splitting in two between shock and delight. She twisted in his arms, shy and at the same time proud, because he made her feel beautiful, desirable.


To read more, please see my 'Flavia's Secret' - now only 99c at Bookstrand.

For more details of my ancient world historical romances, please see my Bookstrand author page:
http://www.bookstrand.com/lindsay-townsend

Or go to my website: http://www.lindsaytownsend.net/
http://www.twitter.com/lindsayromantic

Best wishes, Lindsay Townsend

Friday, December 3, 2010

An early Christmas present? 'Flavia's Secret' free at Bookstrand

Bookstrand have Flavia's Secret on offer as a free ebook from today until Valentine's Day. If you haven't tried one of my books yet, here's a chance!

For details of the book and the free download, go to:
http://www.bookstrand.com/flavias-secret .

Sunday, December 27, 2009

Tuesday, April 28, 2009

Heroes and Kings

Edward Burne-Jones, 'King Cophetua and the Beggar Maid (1884)' (from Wikimedia Commons)I could look at this famous Burne-Jones picture, King Cophetua and the Beggar Maid, for hours. It shows one of the romance ideals - the ultimate Cinderella story. King Cophetua, smitten by love for the beggar girl, finds her, offers her his heart and marries her. (Naturally, she says yes!)

It's the stuff of romance, even modern romance. Over and over, the rich, powerful hero 'rescues' the Cinderella heroine: the struggling artist, waitress, actress, secretary. As a myth it's comforting to the man, showing him as a powerful hero figure. Women, too, can enjoy the fantasy of being swept up into luxury - who wouldn't?

I'd love to see more role-reversal of this myth: the queen raising up the beggar lad, the woman of power showering her hero with gifts. Woman not only as care-giver or healer but as bestower.

I don't write role reversal very often, although I did have fun with the ideas in Bronze Lightning, in the relationship between Bride and her young lover.

Here's a role reversal excerpt from Bronze Lightning, where Bride the warrior woman uses her sword in a very original way.

EXCERPT.

Bride entered the house first and heard Fearn behind her draw Sarmatia into a dark corner. 'Goar's in our chamber. Tonight it's yours,' he whispered. He and Sarmatia disappeared.
Bride picked her way round the sleeping royal family and banked-down fire. She could see that the smallest room—really no more than an alcove—was open. A tall figure lurked beside the bed, dressed in loin cloth and jet necklace.
'I'm glad you chose the black amber.' Bride closed the hangings behind her.
'Anything to please. Will you bury me in it?'
So Goar thought he knew her mind. Bride unsheathed her sword, floated its point up to his left shoulder. 'There. The bead was wrong.' She arranged it with the blade tip. 'Now you've seen her, do you think Sarmatia beautiful?' The lethal point trailed down his chest.
'For a woman in man's clothes she's outstanding.'
The fool was brave. The point had reached his lights. The blade side twanged, a gentle reprimand, against the hard flatness of his stomach, and jagged along the top of the loin cloth. Goar hadn't the length of arm to retaliate as the sword stroked along his flanks. Involuntarily, his hips moved.
'Just like a man. Fickle.'
There was no mistaking the satisfaction in Bride's voice. Goar was resentful. The hesitant caresses of his Atterian girls had been nothing as deadly-sensuous as this.
Warmed by his body, the blunter sides of the rapier scraped on Goar's dark-blond leg hairs and glided upwards. Resentment sharpened as the sword mesmerized him. The point touched him intimately, through the cloth. Goar began to sweat. His breathing was like that of one of his girls, in their moment of yielding. He hated the humiliation.
'Hate? You'd kill me if you could.' Bride goaded him.
Goar began to pant. The blunt part of the blade alternated with the narrower tip in a killing parody of a woman's mouth and tongue. Abruptly, both were withdrawn. Goar swayed slightly.
'Here I am—the woman you swore you'd never bed.' Bride's mouth was dry as she dropped sword and tunic by her heels.
Goar forgot danger and his years of turning aside. He stepped forward.
'Wait!'
His potent picture of himself shattered, but Bride wasn’t teasing. Frowning, she picked up the sword and flicked back one of the bed furs. A long black shape struck at her and she recoiled.
The adder spilled over the bed, fell writhing on the alcove floor, followed by a spider. Another dozen huge spiders scrambled over the furs in every direction. Goar caught the adder's tail, whipped it onto the bed, bundled snake and spiders' nest into the biggest fur and carried it to the midden.
Returning, he found Bride almost as he'd left her, except that she'd been sick in the waste bucket. When he touched it, her hand was clammy.
'I didn't put them there.’ Goar didn't insult her by suggesting that the adder and spiders had found their own way into the alcove. 'Did the snake bite you?'
'No. We'd better find Fearn.' Bride choked, her shoulders heaving. This time, she managed to keep the sickness down. 'I don't think that gift was meant for us.' She tried to laugh. 'Unless Sarmatia brought the adder here.'
Neither idea seemed likely to Goar. 'Forget it. A bad joke.' The families had drunk a skinful tonight. Anyone could have dumped their bedfellows into the alcove while he was out at the midden. Goar squeezed Bride's chilly fingers. 'The snake's gone. You can sit down.'
She stared at him with the round eyes of a child. Men or snakes were one thing, but everyone has a weakness. Goar gave his light laugh, suddenly understanding.
'Let's make sure we've no other bedtime visitors.'
Hand in hand they scoured the tiny chamber and shook the remaining furs. Two spiders dropped to the floor and Goar pushed at Bride before she stiffened. 'Into bed with you. I'll get rid of these.'
He didn't kill them. The spiders had made a peace between him and Bride.

Tuesday, April 14, 2009

The Past is Another Country...

'Stonehenge' by John Constable (from Wikimedia Commons)...They do things differently there.' (L. P. Hartley, The Go-Between)

Setting any story in the distant past brings its own delights and perils. For me it allows my heroines to be engaging and ingenious, sometimes accepting historical society's conventions and restrictions, sometimes going against them, but always provoking inner or outward conflict. Heroes can be shown off to great advantage, really doing something - protecting, rescuing, struggling with great war-horses, battling the elements or the bad guys.

However, the backdrop against which all this high-stakes, high-adventure romance takes place needs to be carefully drawn and considered. Fashions are different, right down to underwear (or lack of it). Transport, law, weapons, animals, trees, climate, customs - these can all be very different from the present.

My oldest book, in both creative genesis and the date at which it is set, is Bronze Lightning. This is set in the Bronze Age, before the eruption of Thera (the modern Greek island of Santorini), the island shown below in a Bronze age fresco. Some structures, such as the pyramids and Stonehenge, were already old when the story opens in 1562 BC, although these also looked different. The pyramids I have imagined with their wonderful limestone covering, which would have made them gleam a brilliant white in the landscape. Stonehenge was also complete and not yet fallen into the decay already familiar when Constable created his painting of it.

Ritual places are not the only things that were different in the distant past. Some activities, such as the smelting of metals, farming, brewing, the making of clothes, were all different from what came later and very different from our own time.

Bronze age fresco from Aktrotiri in Thera (Santorini)(Wikimedia Commons)Beliefs and religion were also very different and, given the few written sources we have from Bronze Age Europe, must be inferred from archaeology and other means. Fearn the hero believes in a Sky God who has some characters that are similar to the later Viking God Thor: all later religions tend to have 'clues' of past faiths in them. He also undergoes a trance state where he sees symbols that modern shamans have also reported seeing in trances and which have been painted by cave painters.

In Bronze Lightning I bring the heroine Sarmatia right to my own doorstep. The winter house she lives in is set where my parents' house is now, and the wild apple and cherry trees she sees in blossom are ones I have known since childhood. Lots of other details are changed, however, because the distant past truly is another country.

In the Bronze Age, the climate in England was warmer and drier than today. There was much more woodland, and animals such as beavers, bears, wolves and wild boar in the woods. We have lost all these creatures excerpt for the boar, which has escaped from farms in southern England and is making its home in woodland again. Lime trees flourished, and orchids and other flowers that are rare or extinct today. The sheep Sarmatia care for were more like Soay sheep, that do not flock and whose fleece is not at all like the thick fleeces of modern breeds. The cattle were smaller or completely wild. Even the stars she followed were different. Even the polar star hung in a different place in the Bronze Age.

I exploit these differences to show the past in my story, to remind my readers that they are in another time, another place... where magic and romance do truly go hand in hand.

Lindsay